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Not all of the damage could be repaired during the new restoration
But here it has a deep formal relationship to the depiction of this god of fortune: the sack
together with his famous colleague Yamamoto Baiitsu (1783-1856)
is the absence of visible clumps
she preferred the hiragana syllabary like her medieval court models
Fächerbild Nō-Stück „Kochō“ 胡蝶 | Tosa Mitsubumi 土佐光文 | 1812-1879 Tieger Not all of the damageThe Tosa school is one of the great art institutions in Japan. It is stylistically linked to the oldest painting, the so called yamato e. In contrast to the black and white ink painting that developed in Japan in the 15th century from Chinese painting, the Tosa school adheres to the unbroken colorfulness of court painting. The great era of Tosa painting was the 15th 16th century, but talented painters also emerged in later generations. Tosa Mitsubumi
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