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Landschaft mit Halbinsel | Terazaki Kōgyō 寺崎廣業 | 1866-1919 size:43cm x 189cm which was the dominant style

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Description

which was the dominant style in Kyoto in the 19th century

pheasants are often depicted in lavish colors

in modern Japanese Translation: 何事も人間はすべて捨てて顧みない盃を咥えながら花の下にいる事を知らない

The rooster on the drum is a popular folk motif in Japan

which also governs the front legs

Landschaft mit Halbinsel | Terazaki Kōgyō 寺崎廣業 | 1866-1919 size:43cm x 189cm which was the dominant styleTerazaki Kgy comes from Akita in northern Japan. He was one of the most progressive painters of his time. Because he was very talented, he was accepted into the circle around Okakura Tenshin, who, together with the American Ernest Fenellosa, conceived the theoretical and aesthetic basis for painting of the Meiji period (1868 1912). When the illustrious aesthete circle dissolved, Terazaki went his own way. In some pictures he strongly integrated

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