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die heutzutage in Japan vor allem am Neujahr präsent sind
und das gilt auch für Keibun
The Japanese love waterfalls and also saw them as manifestations of the divine
This creates a sense of depth that we also strongly perceive in the trees
as does the halberd hoko
Morgensonne im Pflaumenbaum mit Nachtigall | Nishiyama Hōen 西山芳園 | 1781-1867 Tieger die heutzutage in Japan vorNishiyama Hen was unable to achieve a great career because he lived and worked in Osaka, which was not considered an art center in the 19th century. However, he apprenticed in Kyoto under the great master Matsumura Keibun (1779 1843) and is considered one of his best pupils. From Keibun, he learned the precision of formal composition and was trained as a realistin a tradition that traces back to the towering and generation defining influence of the
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