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His highly personalized approach to the piano likens him to Ethiopian composer Emahoy Tsege Mariam
he developed a beautifully harmonious
originally recorded in 1954 by the Haitian-American guitarist Frantz Casseus
It’s simply (or rather fantastically messily) Carl Stone
di lavoro e d’amore with Deborah Walker
Robert Haigh - Human Remains Marcus Schmickler His highly personalized approach toHuman Remains follows Creatures of the Deep and Black Sarabande as the final installment of a trilogy of piano based recordings by Robert Haigh for Unseen Worlds marking the end of the late era of solo albums by Haigh, as he steps away from music production. The title, Human Remains, was initially based on a painting of the same name by Haigh that is suggestive of an ancient structure resolute in the wake of overwhelming forces. As a metaphor for our
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