studying at the atelier of Carolus-Duran in Paris and visiting Brittany and Normandy
But how did they turn relatively short careers into such long legacies
were driven to create
be said to reflect Sylvester’s thoughts on Bacon and art more than the artist’s
in which a single work of art in the National Gallery’s collection is reconsidered from a fresh perspective
Only Too Much Is Enough Francis Bacon in his own words women irish writers studying at the atelier ofFrancis Bacon and Michael Peppiatt were close friends for over thirty years. As Peppiatt, the editor of this volume, tells us in his illuminating Introduction, the two would regularly embark on night time odysseys around London and Paris, ordering extravagant vintages, raising toasts to all and sundry, talking and laughing immoderately. Francis Bacons conversation was witty, provocative, and profound. In this volume, his long time friend, curator,